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September 9, 2011

Nova-spes “Pripyat – Home of Lilith” Out Today! – Viva Music Album Review

Tracklist: “Ein Tag im April” * “Welcome to Pripyat” * “Here We Are” * “Disappointed” * “1986” * “Wir wollen jetzt” * “2011” * “Sehnsucht” * “We Cannot…” * “Die Farbe der Saison” * “Todeszeit” * “Everybody” * “Unser Werk” * “Evakuierung

About Nova-spes

Nova-spes is a synthiepop/futurepop/EBM group founded in 1999 in Germany. The band includes Matthias Huebner (music, words, vocals), Steffen Poehler (keys), and Peter Walter (keys). With a new release almost every year since their foundation, Nova-spes come back in 2011 with a new album entitled “pripyat – home of lilith with Dance Macabre. The album is mastered by Das Ich’s Bruno Kramm and released today, on September 09.

Read the review and see the photos by Viva Music from Nova-spes’s date last week at NCN Festival in Deutzen bei Leipzig here.

Nova-spes – “pripyat – home of lilith”: Viva Music album review:

While we have not listened to earlier material from Nova-spes, the material they worked together with Bruno Kramm can be described in two words: intense, and invasive. The heavy intro with Russian alert messages “Ein Tag im April” is a good appetizer for what follows. The historically credible message in Russian alerting the population of today ghost town Pripyat from Kiev Oblast, from the vicinity of Chernobyl reads as follows: (more…)

April 7, 2011

Cylix – ‘Alpha’ Viva Music Album Review

Cylix are: plasmaG (aka George Lamparis; synth, guitar, programming & arrangements) and Harry (aka Harry Grypaios; vocals, programming), a Greek synthpop, electro and EBM duo formed in 2000. On and off on the most prominent club venues and on the Greek scene, they took a professional twist until the release of their debut album, “Alpha” with Life Is Painful Records in late 2010, and they are now listed as a top-selling artist on the prestigious merchandiser site poponaut.de.

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March 28, 2011

And One – Tanzomat Album Review by Viva Music

Filed under: Album Reviews — Tags: , , , , , , , , — admin @ 11:46 am

“He who loves AND ONE because it sounds like AND ONE, AND ONE shall he get”.

(Steve Naghavi, hell-zone.de interview, 2005)

If dance were a science, what we would need today is scientists that split the atom and tell us what dance really is: how we come to feel it, how we come to do it, and last but not least how we end up knowing how to dance. What with dance not being a science, but an art, and for at least half a century with the advent of popular clubs a very mass-oriented one, it feels sometimes that an album such as AND ONE’s “Tanzomat” (double disc, out on Mar-04, 2011 with Out Of Line) is a cleansing process of the all bad rap of a dance you were owned with in your club life cycle.

In an epoch that gives less and less airtime to quality dance music, because known beats yield more than hidden gems of experiment do, AND ONE figures out a satisfying concept that probably should propel more than one band and more than one audience. If a thing such as the “Tanzomat” they imagine existed, it would be a wonderful and mighty thing: just like a jukebox that is intended for moves, not for tunes, it would be packed with pure potential, that of sending well-choreographed twitches in the right muscles, making you move along to beats you’ve known, but never tried out.

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February 11, 2011

Mechanical Cabaret – We Have An Agenda Album Review

Filed under: Album Reviews — Tags: , , — admin @ 3:33 pm
When you think about MECHANICAL CABARET, a lot of names pop into mind. Whether we are talking about diverse influences one can sense in their music (DEPECHE MODE, COIL, KILLING JOKE to name a few) or about the major names they have toured with (FAD GADGET, MESH, SUICIDE, COMBICHRIST and others), this is a project that has covered a lot of ground since its debut in 1999. Essentially, MECHANICAL CABARET is Roi Robertson, a witty British composer and songwriter with an uncanny sense of humor.

Their 12 track album “We Have an Agenda” sparked a lot of interest upon its release in 2002 due to its sleazy, trashy nature that combined a devilish punk glamour with provocative electro beats. Alongside Roi Robertson, come Tobi Chandler and Bruce Lovelock in the recording process. (more…)

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